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kleiner Junge las ich oft heimlich die Bücher meines Vaters. Wenn ich die glühenden Schilderungen der Romane mit dem Leben rings um mich verglich, dann beglückwünschte ich mich in meiner kindlichen Unschuld dazu, in einer sittsamen, kleinen Stadt zu wohnen, in der nichts geeignet gewesen wäre, die Aufmerksamkeit jener zu erregen, deren Beruf es ist, zur Unterhaltung anderer zu schreiben. Später, als mit meinem Bart auch die Vernunft mir wuchs, sah ich manches mit anderen Augen. Soll ich’s bekennen? Ich empfand ein seltsames Gefühl verletzten Stolzes. Mein kleines Städtchen unterschied sich nicht im mindesten von allen anderen! Meine Kleinstadt zählt nicht mehr als sechstausend Einwohner mit gutbürgerlichen Sitten, stillen und beschaulichen Gewohnheiten: sie liegt fast abseits vom Leben. In der Gerichtsstatistik gebührt ihr der höchste Rang, denn die Vergehen sind dort selten, Verbrechen ganz unbekannt. Doch hat sie ihre Dramen. Schriftsteller pflegen häufiger zu erfinden als zu berichten; und die Schulung unseres Geistes hat uns so daran gewöhnt, weniger auf Wahrheit, als auf Einfachheit und Vernunft zu sehen, daß Romane, die das Leben vollkommen wahrheitsgetreu wiedergeben, auf uns nur weniger lebensecht wirken. Ich ziehe die Vielgestaltigkeit des Lebens allen Erdichtungen vor. Schriftsteller suchen das dramatische Moment in einzelnen bewegten Ereignissen, aber der gewöhnliche Verlauf der Dinge in seiner ereignislosen Stetigkeit ist meist viel dramatischer als die erregendsten konstruierten Begebenheiten. Schriftsteller lieben es, ihre Geschichten wirkungsvoll abzuschließen: Julien Sorel stirbt auf dem Schafott; die Schönheit von Valerie Marneffe wird von einem furchtbaren Aussatz zerfressen; Madame Bovary endet durch Vergiftung; den zarten Körper Anna Kareninas zermalmt eine schwere Maschine. Ich kannte eine große Anzahl Entgleister; ihr Ende war weniger effektvoll. Meine Erzählungen sind wahr. Selbst ihre Vereinigung ist nicht künstlich. Alle spielten sich unter meiner Beobachtung ab, die noch nicht allzulange währt. Ich bin weder Arzt noch Anwalt noch Priester; es dürfte im Leben noch viele fesselnde Dinge geben, die mir unbekannt blieben. Trotzdem wage ich zu behaupten, daß jene, die ich aufzeichnete, hinreichen, um jedem zu Betrachtungen neigenden Menschen genügend Stoff zu geben, über das Elend aller Verhältnisse nachzudenken und über die Macht und Vielfältigkeit aller Leidenschaften zu staunen, die sich oft unter der alltäglichen Oberfläche verbergen. Wenn diese Notizen zur Veröffentlichung kommen sollten, wird es nur nötig sein, die Namen der Orte und Personen zu ändern. Die meisten der vorkommenden Menschen sind tot; die übrigen aber haben sich seither so verändert, daß sie unerkannt bleiben werden. Ich kann ohne Furcht vor einem Ärgernis zur Veröffentlichung schreiten. Selbst falls jene, deren Schicksale in diesen Erzählungen geschildert sind, sie lesen sollten, würden sie sich nicht wiedererkennen, denn es ist das Los der meisten Menschen, das Drama ihres eigenen Lebens nicht zu erfassen.\u003C/p>","\u003Cp>Kot majhen deček sem pogosto skrivaj bral očetove knjige. Ko sem žareče opise romanov primerjal z življenjem okoli sebe, sem si v svoji otroški nedolžnosti čestital, da živim v spodobnem mestecu, kjer nič ne bi pritegnilo pozornosti tistih, katerih poklic je pisanje za zabavo drugih. Kasneje, ko mi je zrasla brada in razum, sem nekatere stvari videl z drugimi očmi. Ali naj priznam? Občutil sem čuden občutek ranjenega ponosa. Moje mestece ni bilo niti najmanj drugačno od vseh drugih! Moje mestece nima več kot šest tisoč prebivalcev, z meščanskimi običaji, mirnimi in kontemplativnimi navadami: skoraj je izolirano od življenja. V pravosodni statistiki si zasluži najvišje mesto, kajti kazniva dejanja so tam redka, zločini precej neznani. Ima pa svoje drame. Pisatelji si pogosteje izmišljujejo kot poročajo; in vzgoja našega uma nas je tako navadila, da gledamo manj na resnico kot na preprostost in razum, da se nam zdijo romani, ki dajejo povsem resničen prikaz življenja, manj resnični. Raje imam raznoliko življenje kot vse leposlovje. Pisatelji iščejo dramatičen trenutek v posameznih, ganljivih dogodkih, toda običajen potek stvari v svoji kontinuiteti brez dogodkov je običajno veliko bolj dramatičen od najbolj vznemirljivih konstruiranih dogodkov. Pisatelji radi učinkovito končajo svoje zgodbe: Julien Sorel umre na odru; lepoto Valerie Marneffe razjeda strašna gobavost; Madame Bovary konča z zastrupitvijo; občutljivo telo Ane Karenine zdrobi težak stroj. Poznal sem veliko število iztirnikov; njihovi cilji so bili manj učinkoviti. Moje zgodbe so resnične. Tudi njuna kombinacija ni umetna. Vse so potekale pod mojim opazovanjem, ki ni trajalo prav dolgo. Nisem ne zdravnik, ne pravnik, ne duhovnik; Verjetno je v življenju veliko fascinantnih stvari, za katere še nisem slišal. Kljub temu pa si upam trditi, da je že to, kar sem zapisal, dovolj, da vsakemu razmišljujočemu človeku da dovolj gradiva za razmislek o bedi vseh okoliščin in za čudenje nad močjo in pestrostjo vseh strasti, ki se pogosto skrivajo pod površjem vsakdanjega življenja. Ti zapiski naj se objavijo, le imena krajev in oseb bo treba spremeniti. Večina omenjenih ljudi je mrtvih; ostali pa so se od takrat tako spremenili, da bodo ostali neprepoznani. Lahko nadaljujem z objavo brez strahu pred škandalom. Tudi če bi jih prebrali tisti, katerih usode so opisane v teh zgodbah, se ne bi prepoznali, kajti to je usoda večina ljudi, ki ne razume drame lastnega življenja.\u003C/p>","Als kleiner Junge las ich oft heimlich die Bücher meines Vaters. Wenn ich die glühenden Schilderungen der Romane mit dem Leben rings um mich verglich, dann beglückwünschte ich mich in meiner kindlichen Unschuld dazu, in einer sittsamen, kleinen Stadt zu wohnen, in der nichts geeignet gewesen wäre, die Aufmerksamkeit jener zu erregen, deren Beruf es ist, zur Unterhaltung anderer zu schreiben. Später, als mit meinem Bart auch die Vernunft mir wuchs, sah ich manches mit anderen Augen. Soll ich’s bekennen? Ich empfand ein seltsames Gefühl verletzten Stolzes. Mein kleines Städtchen unterschied sich nicht im mindesten von allen anderen! Meine Kleinstadt zählt nicht mehr als sechstausend Einwohner mit gutbürgerlichen Sitten, stillen und beschaulichen Gewohnheiten: sie liegt fast abseits vom Leben. In der Gerichtsstatistik gebührt ihr der höchste Rang, denn die Vergehen sind dort selten, Verbrechen ganz unbekannt. Doch hat sie ihre Dramen. Schriftsteller pflegen häufiger zu erfinden als zu berichten; und die Schulung unseres Geistes hat uns so daran gewöhnt, weniger auf Wahrheit, als auf Einfachheit und Vernunft zu sehen, daß Romane, die das Leben vollkommen wahrheitsgetreu wiedergeben, auf uns nur weniger lebensecht wirken. Ich ziehe die Vielgestaltigkeit des Lebens allen Erdichtungen vor. Schriftsteller suchen das dramatische Moment in einzelnen bewegten Ereignissen, aber der gewöhnliche Verlauf der Dinge in seiner ereignislosen Stetigkeit ist meist viel dramatischer als die erregendsten konstruierten Begebenheiten. Schriftsteller lieben es, ihre Geschichten wirkungsvoll abzuschließen: Julien Sorel stirbt auf dem Schafott; die Schönheit von Valerie Marneffe wird von einem furchtbaren Aussatz zerfressen; Madame Bovary endet durch Vergiftung; den zarten Körper Anna Kareninas zermalmt eine schwere Maschine. Ich kannte eine große Anzahl Entgleister; ihr Ende war weniger effektvoll. Meine Erzählungen sind wahr. Selbst ihre Vereinigung ist nicht künstlich. Alle spielten sich unter meiner Beobachtung ab, die noch nicht allzulange währt. Ich bin weder Arzt noch Anwalt noch Priester; es dürfte im Leben noch viele fesselnde Dinge geben, die mir unbekannt blieben. Trotzdem wage ich zu behaupten, daß jene, die ich aufzeichnete, hinreichen, um jedem zu Betrachtungen neigenden Menschen genügend Stoff zu geben, über das Elend aller Verhältnisse nachzudenken und über die Macht und Vielfältigkeit aller Leidenschaften zu staunen, die sich oft unter der alltäglichen Oberfläche verbergen. Wenn diese Notizen zur Veröffentlichung kommen sollten, wird es nur nötig sein, die Namen der Orte und Personen zu ändern. Die meisten der vorkommenden Menschen sind tot; die übrigen aber haben sich seither so verändert, daß sie unerkannt bleiben werden. Ich kann ohne Furcht vor einem Ärgernis zur Veröffentlichung schreiten. 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