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maison du Chat-qui-pelote (La Comédie humaine #1)","\u003Cp>Ce récit écrit en 1829 sera placé, plus tard, par Balzac en ouverture de La Comédie humaine ». On y retrouve la trame de ce que seront les romans la composant et l’on y croise déjà les héros d’autres épisodes. Tout y préfigure la grande œuvre de Balzac. C’est en ces quelques pages une miniature parfaite de tout ce qui suivra. La Maison du chat qui pelote, titre définitif que l’auteur donna à cette ouvrage, avait à l’origine été intitulé « Gloire et Malheur ». Il s’y joue le destin d’une femme que tout favorise. Mais l’amour peut-il résister au fil des ans, à la différence des classes ? Questions actuelles que Balzac, comme toujours avec son génie, pose et auxquelles il répond, nous montrant que finalement, aujourd’hui rien n’a changé. Quatre « scènes de la vie privée », quatre nouvelles écrites autour de 1830 qui nous montrent Balzac commençant son enquête sociale, prenant pied dans le réel, posant les premières pierres de l’édifice de La Comédie humaine. Cette comédie est d’abord celle de l’amour, et trois de ces récits nous disent des mariages ratés, l’un par incompatibilité culturelle, l’autre par arrogance sociale, le troisième par folie de vengeance familiale. Mais par-delà le romanesque de l’intrigue apparaît la variété bientôt foisonnante des types et des conditions : boutiquiers et gens de cour, vestiges de l’Ancien Régime, lions et loups de la Restauration, en même temps que Balzac découvre le Paris mystérieux et cruel qui sera l’un des personnages principaux de son œuvre. Entre la boutique et les travaux d’aiguille, la vie n’est pas très gaie pour Virginie et Augustine, les deux filles de la Maison du chat-qui-pelote. Mais voilà qu’un peintre, empruntant au hasard la rue Saint-Denis, est séduit par la pittoresque boutique, et par la jolie Augustine, qui lui donne bientôt son cœur. Le sort de Virginie, qui épouse le premier commis de boutique, paraît bien terne à côté de celui de sa sœur, paré de toutes les couleurs de l’amour et du bonheur...\u003C/p>","\u003Cp>To zgodbo, napisano leta 1829, bo Balzac pozneje postavil na začetek La Comédie humaine. Tam najdemo zaplet tistega, kar bi postalo roman, ki ga sestavlja, in že srečamo junake drugih epizod. Vse tam napoveduje Balzacovo veliko delo. Na teh nekaj straneh je popolna miniatura vsega, kar bo sledilo. La Maison du chat qui pelote, dokončni naslov, ki ga je avtor dal temu delu, je bil prvotno naslovljen "Slava in nesreča". Je zgodba o usodi ženske, ki ji je vse naklonjeno. Toda ali se lahko ljubezen upre z leti, za razliko od razredov? Aktualna vprašanja, ki jih Balzac, kot vedno s svojo genialnostjo, zastavlja in nanje odgovarja, s čimer nam pokaže, da se v končni fazi danes ni nič spremenilo. Štirje »prizori iz zasebnega življenja«, štiri kratke zgodbe, napisane okoli leta 1830, ki nam prikazujejo Balzaca, kako začne svoje družbeno raziskovanje, stopi v resničnost, polaga prve kamne v zgradbo Človeške komedije. Ta komedija je predvsem ljubezenska in tri od teh zgodb nam govorijo o propadlih porokah, ena zaradi kulturne nezdružljivosti, druga zaradi družbene arogance, tretja pa zaradi norosti družinskega maščevanja. Toda onkraj romantike se kmalu pojavi obilna raznolikost tipov in razmer: trgovci in dvorjani, ostanki Ancien Régime, levi in volkovi obnove, hkrati pa Balzac odkrije skrivnostni in kruti Pariz, ki bo glavni junak njegovega dela. Med trgovino in šivanjem življenje Virginie in Augustine, dveh deklet iz hiše Cat-Qui-Pelote, ni prav veselo. Toda tukaj je slikar, ki se po naključju sprehaja po ulici Saint-Denis, ki ga zapeljeta slikovita trgovina in lepa Avguština, ki mu kmalu izroči svoje srce. Usoda Virginie, ki se poroči s prvim prodajalcem, se zdi zelo dolgočasna ob usodi njene sestre, okrašene z vsemi barvami ljubezni in sreče ...\u003C/p>","Ce récit écrit en 1829 sera placé, plus tard, par Balzac en ouverture de La Comédie humaine ». On y retrouve la trame de ce que seront les romans la composant et l’on y croise déjà les héros d’autres épisodes. Tout y préfigure la grande œuvre de Balzac. C’est en ces quelques pages une miniature parfaite de tout ce qui suivra. La Maison du chat qui pelote, titre définitif que l’auteur donna à cette ouvrage, avait à l’origine été intitulé « Gloire et Malheur ». Il s’y joue le destin d’une femme que tout favorise. Mais l’amour peut-il résister au fil des ans, à la différence des classes ? Questions actuelles que Balzac, comme toujours avec son génie, pose et auxquelles il répond, nous montrant que finalement, aujourd’hui rien n’a changé. Quatre « scènes de la vie privée », quatre nouvelles écrites autour de 1830 qui nous montrent Balzac commençant son enquête sociale, prenant pied dans le réel, posant les premières pierres de l’édifice de La Comédie humaine. Cette comédie est d’abord celle de l’amour, et trois de ces récits nous disent des mariages ratés, l’un par incompatibilité culturelle, l’autre par arrogance sociale, le troisième par folie de vengeance familiale. Mais par-delà le romanesque de l’intrigue apparaît la variété bientôt foisonnante des types et des conditions : boutiquiers et gens de cour, vestiges de l’Ancien Régime, lions et loups de la Restauration, en même temps que Balzac découvre le Paris mystérieux et cruel qui sera l’un des personnages principaux de son œuvre. Entre la boutique et les travaux d’aiguille, la vie n’est pas très gaie pour Virginie et Augustine, les deux filles de la Maison du chat-qui-pelote. 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