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Story of a Man Who Collapsed Into His Notebook","\u003Cp>. . . I’ve forgotten how to travel, how to surrender to the favor and misfortune of the rails, how one says goodbye, how long one actually stands facing backward watching Point A swiftly disappearing, and after that how long does he continue standing standing standing . . . I open my notebook, but I have no answer, I write: “traveling from Point A to Point B, from a little seaside town to Berlin, I gaze out the window at the unfinished houses on the outskirts, warehouses in the industrial zone, stunted trees along the river with plastic bags hanging from their branches like bats . . .” Sajko teases out the mental state and personal history of the protagonist, posing departure as a major theme that serves as a touchstone not only for our region [of Southeastern Europe] but also for the times we are living in. —Antonela Marušić, Novosti This is a stylistically superb novel, very readable. . . . And although this is a deeply personal text, it functions much more broadly, giving expression to the experiences, doubts, fears and all things encountered not only by this one, but a whole series of generations. —Matija Prica, booksa.hr The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure. The reader joins the narrator on his journey, both on the train and in his mind—from disjointed memories triggered by his departure from home, through attempts to put his relationships and experiences in some kind of order to find meaning in them and perhaps assign blame, to confronting his most painful memories—finally arriving with him at his destination with a sense of clarity and the possibility of a new beginning.\u003C/p>","\u003Cp>. . . Pozabil sem, kako potovati, kako se prepustiti uslugam in nesrečam železniških tirov, kako reči zbogom, kako dolgo dejansko stojiš obračajoč se nazaj, gledajoč, kako hitro izginja Točka A, in potem kako dolgo še stoji stoji stoji . . . Odpri svoj zvezek, a nimam odgovora, pišem: »potovanje od Točke A do Točke B, od majhnega obmorskega mesta do Berlina, strmim skozi okno na nedokončane hiše na obrobju, skladišča v industrijski coni, pritlikave drevesa ob reki s plastičnimi vrečkami, ki visijo s svojih vej kot netopirji . . .« Sajko razčlenjuje duševno stanje in osebno zgodovino protagonista, postavljajoč odhod kot glavno temo, ki služi kot kamen preizkušnje ne le za našo regijo [Jugovzhodna Evropa], ampak tudi za čase, v katerih živimo. — Antonela Marušić, Novosti To je slogovno izjemno vrhunski roman, zelo berljiv. . . . In čeprav je to globoko oseben besedilo, deluje veliko širše, izraža izkušnje, dvome, strahove in vse, kar srečuje ne le ta, ampak cela vrsta generacij. — Matija Prica, booksa.hr Zgodba o človeku, ki je padel v svoj zvezek, govori o odhodih, otroštvu, koncu razmerja in izginjajoči možnosti v današnjem svetu za bežanje na boljše mesto. Napisan iz prve osebe, vsako poglavje en sam stavek, roman je notranji monolog samoočitovanja, izkopavanje življenja, zaznamovanega z nemiri in izgubami, upanjem in razočaranjem, ambicijo in neuspehom. Bralec se pridruži pripovedovalcu na njegovi poti, tako na vlaku kot v njegovem umu - od razdrobljenih spominov, ki jih sproži odhod od doma, skozi poskuse, da bi uredil svoje odnose in izkušnje ter našel v njih pomen in morda določil krivdo, do soočanja s svojimi najbolj bolečimi spomini - končno prispetje z njim na cilj s čutom jasnosti in možnostjo novega začetka.\u003C/p>",". . . I’ve forgotten how to travel, how to surrender to the favor and misfortune of the rails, how one says goodbye, how long one actually stands facing backward watching Point A swiftly disappearing, and after that how long does he continue standing standing standing . . . I open my notebook, but I have no answer, I write: “traveling from Point A to Point B, from a little seaside town to Berlin, I gaze out the window at the unfinished houses on the outskirts, warehouses in the industrial zone, stunted trees along the river with plastic bags hanging from their branches like bats . . .” Sajko teases out the mental state and personal history of the protagonist, posing departure as a major theme that serves as a touchstone not only for our region [of Southeastern Europe] but also for the times we are living in. —Antonela Marušić, Novosti This is a stylistically superb novel, very readable. . . . And although this is a deeply personal text, it functions much more broadly, giving expression to the experiences, doubts, fears and all things encountered not only by this one, but a whole series of generations. —Matija Prica, booksa.hr The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure. 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