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Po Popravkih pesniške zbirke stopa Marcello Potocco na romarsko pot zgolj zapisovanja opazovanja. Glas se je stišal, uho je nezanesljivo, sliš(a)nost se je umaknila zapisu/branju. Govorec je postal predvsem zapisovalec, opazovalec nemega, izpraznjenega sveta. Človeško krhko ugotavlja: Ne morem se pretvarjati, da se svet ne spremeni, ko se spremeni ljubezen. In tukaj sem zato, da beležim drobne spremembe sveta. Hladna bližina postaja prostor razmikanja. Od ugotovitve, da molk včasih pregazi ljudi, do razpadanja sveta dvojine, ki je paranje zmožnosti govorice in se v (ne)komunikaciji spreminja v jezikovne enote neutečenih pomenov, je prostor praznega, ki je ostal med dvema in pogoltno zeva kot nenasitno brezno. Prav pesmim uspe napolnjevati to praznino gotovosti. Da ne bi bilo neizbežno, kar je. Da ne bi neopazno šlo mimo. Natančneje – ne gre niti za zapisovalca/opazovalca, temveč, kot zapiše pesnik – samo jaz je, ki piše. Spet piše, da piše … Zapisovanje je postalo kot da samozadostno in samonanašalno. V kilometrih pripovedne pisave se besedni pasusi spreminjajo v metonimične nize, ki se kot žebranje molitvenih obrazcev znotraj knjige vsebinsko ponavljajo. In ne neznaten delež prinašajo pogosto zakoličeni pomišljaji, ki ne le udarjajo takta v verzih, temveč predvsem označujejo mesta nemoči izrekanja, ubeseditve, jalovega strahu pred suspenzom ali zdrsom v kliše, so kot trni ob poti, skrivajo stvari, ki jih je treba brati med vrsticami, in krvavo bolečino, ki se izpisuje z modro barvo – barvo razuma in duha. Tako tudi žarči Via Francigena – duhovno-razumska ljubezenska poezija razmika(nja), ki s svojo primerno odmerjeno lirično krhkostjo reže v bralčeve meandre, hkrati pa jo ščiti s kilometri zapisovanja, da se ne bi v nobenem primeru spogledala z razčustvovanjem. Več, v tej poeziji čustva nadzoruje razum. Kljub boleči in trpki tematiki se verzi ne udinjajo destrukciji ali samosmiljenju. Z zgradbo zbirke, nizanjem opomenjenih drobcev iz vsakdanjega življenja in nanosi besedila o premišljevanju o skrhani preteklosti Potocco jezikovno uspešno posredovani vsebini doda psihološko učinkovanje, tako da se opisovano udejanji pred bralcem in ga privede do identifikacije z (od teme kot da že utrujenim) jazom, ki piše: Koža bo razpokala med čakanjem, da se premakneta. Četudi bi si zaželel (raz)rešitve, tega znova in znova krpanega sveta ne bo več, ko se bo zapisovalec opazovanja (spreminjanja) spremenil v povzročitelja želenih premikov sveta, kot Potocco nakaže v Nekoč bom: Ampak kadar zadosti verjamejo, prodajalke tiho zletijo v nebo. Do tedaj pa pesnik z romarske Vie Francigene pomirjeno boža: Vse pristane na svojem mestu, Bog je še vedno živ. - Petra Koršič\u003C/p>","Nemoč obdržati se skupaj je nemoč komunikacije. Po Popravkih pesniške zbirke stopa Marcello Potocco na romarsko pot zgolj zapisovanja opazovanja. Glas se je stišal, uho je nezanesljivo, sliš(a)nost se je umaknila zapisu/branju. Govorec je postal predvsem zapisovalec, opazovalec nemega, izpraznjenega sveta. Človeško krhko ugotavlja: Ne morem se pretvarjati, da se svet ne spremeni, ko se spremeni ljubezen. In tukaj sem zato, da beležim drobne spremembe sveta. Hladna bližina postaja prostor razmikanja. Od ugotovitve, da molk včasih pregazi ljudi, do razpadanja sveta dvojine, ki je paranje zmožnosti govorice in se v (ne)komunikaciji spreminja v jezikovne enote neutečenih pomenov, je prostor praznega, ki je ostal med dvema in pogoltno zeva kot nenasitno brezno. Prav pesmim uspe napolnjevati to praznino gotovosti. Da ne bi bilo neizbežno, kar je. Da ne bi neopazno šlo mimo. Natančneje – ne gre niti za zapisovalca/opazovalca, temveč, kot zapiše pesnik – samo jaz je, ki piše. Spet piše, da piše … Zapisovanje je postalo kot da samozadostno in samonanašalno. 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Z zgradbo zbirke, nizanjem opomenjenih drobcev iz vsakdanjega življenja in nanosi besedila o premišljevanju o skrhani preteklosti Potocco jezikovno uspešno posredovani vsebini doda psihološko učinkovanje, tako da se opisovano udejanji pred bralcem in ga privede do identifikacije z (od teme kot da že utrujenim) jazom, ki piše: Koža bo razpokala med čakanjem, da se premakneta. Četudi bi si zaželel (raz)rešitve, tega znova in znova krpanega sveta ne bo več, ko se bo zapisovalec opazovanja (spreminjanja) spremenil v povzročitelja želenih premikov sveta, kot Potocco nakaže v Nekoč bom: Ampak kadar zadosti verjamejo, prodajalke tiho zletijo v nebo. 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